J. Edgar (2011)

J. Edgar (2011)
  • Time: 137 min
  • Genre: Biography | Crime | Drama
  • Director: Clint Eastwood
  • Cast: Leonardo DiCaprio, Naomi Watts, Armie Hammer


Biopic of J. Edgar Hoover told by Hoover as he recalls his career for a biography. Early in his career, Hoover fixated on Communists, anarchists and any other revolutionary taking action against the U.S. government. He slowly builds the agency’s reputation, becoming the sole arbiter of who gets hired and fired. One of his hires is Clyde Tolson who is quickly promoted to Assistant Director and would be Hoover’s confidant and companion for the rest of Hoover’s life. Hoover’s memories have him playing a greater role in the many high profile cases the FBI was involved in – the Lindbergh baby kidnapping, the arrest of bank robbers like John Dillinger – and also show him to be quite adept at manipulating the various politicians he’s worked with over his career, thanks in large part to his secret files.


  • J. Edgar Hoover. I know enough about American history and American politics to know that the very name was enough to strike both fear and loathing into the hearts of successive American presidents for decades. J. Edgar Hoover. For almost 40 years the director of the FBI, played in this bio-pic by Leonardo DiCaprio.

    The movie (directed by Clint Eastwood) includes a lot of interesting reflections on Hoover’s life and what made him the man he was – a complicated relationship with his mother; a complicated relationship with Clyde Tolson, his assistant director and close friend/lover/whatever; obsessively self-promoting and obsessively jealous of agents who got too much publicity. He’s certainly a worthy enough choice for this kind of bio-pic. The movie basically shifts back and forth from the investigation into the kidnapping of the Lindbergh baby in 1932 up to Hoover’s declining years in the 1960’s and early 70’s. There’s a great deal of interesting material 9mostly related to the subjects I’ve already mentioned.)

    Di Caprio was an interesting choice to play Hoover. To be perfectly honest, I can’t say that he really leapt out at me in the role. Armie Hammer was better as Clyde Tolson. The most interesting scenes in the movie are probably those between DiCaprio and Hammer as a glimpse is offered into Hoover’s private life (which is still a source of debate.) The movie moved too often and too abruptly between the two time periods, with the result that it didn’t seem to flow very naturally to me. Obviously, with almost all of the scenes being set in the two afore-mentioned time periods, there’s a lot of material from Hoover’s career left out.

    So, the movie certainly gives one a taste of how complex a character Hoover was, but it doesn’t entirely satisfy. (6/10)

  • It appears that our dear old Clint Eastwood is showing some signs of creaking. His new film, J. Edgar, has been one of the year’s most anticipated pictures. It seems like nothing could go wrong here, and that this is a film tailor-made for the Oscars. Sadly, it is below expectations.

    Starring A-lister Leonardo DiCaprio, and written by Oscar-winning screenwriter Dustin Lance Black (Milk, 2008), J. Edgar is a biographical drama about J. Edgar Hoover, the ex- and first director of the Federal Bureau of Investigation (FBI), who transformed his bureau into a large, modern, and efficient force to fight domestic crime.

    With such great talents working on this project, it was surprising to see J. Edgar receive a lukewarm critical reception when it was first released. While I admit that I am a big fan of Eastwood’s work since his meteoric rise from a director to an auteur with Mystic River (2003), I concede J. Edgar is his weakest feature of the last ten years.

    Before I discuss about the film’s flaws, I must say that DiCaprio’s performance is superb, and should have been rewarded with an Oscar nomination. If Meryl Streep could be nominated for her brilliant performance in The Iron Lady, a far more mediocre film than J. Edgar, I don’t see why DiCaprio deserves the snub.

    Eastwood’s authorship is often not noticeable in the visual sense; it is his creation of tender and touching moments, underscored by a simple, melancholic piano solo that have been the hallmarks of some of his best films like Million Dollar Baby (2004), Letters from Iwo Jima (2006), and Changeling (2008).

    They work our emotions without being overwhelming. In J. Edgar, there are fewer of these Eastwoodian scenes, and they don’t function as effectively. To be charitable, Eastwood had to work on an above-average script that is both uneven and quite shallow to begin with.

    Black’s screenplay is the film’s main flaw. It achieves good breadth as it recounts the major dealings Hoover encountered in his almost five decades of service, including overseeing many operations that put wanted criminals behind bars. What the screenplay is lacking is in depth, as it unnecessarily switches back and forth between the past and present.

    Hoover’s close relationship with his mother (Judi Dench) is not particularly well-developed, and his rumored homosexuality is portrayed awkwardly rather than insightfully, unintentionally providing the film with some comical moments that feel out of place.

    DiCaprio tries his best to take his character to the deep end, but it is nowhere close to what he achieved playing Howard Hughes in Scorsese’s The Aviator (2004). Playing an old Hoover does not make the situation any better, especially when the makeup is astonishingly bad. His co-star Armie Hammer, who plays Clyde Tolson, the second man in FBI and his alleged lover, suffers even more under the weight of his makeup.

    In years to come, J. Edgar will be remembered not for the strength of its lead performance, but for its appalling use of makeup, and for the fact that our beloved DiCaprio had to suffer the ignominy of being kissed on the lips by a man after a heated struggle. That’s comedy for the ages.

    Verdict: Clint Eastwood’s weakest in a long while still remains fairly engaging because of the strength of Leonardo DiCaprio’s singular performance.

    GRADE: C+ (6.5/10)

Leave a Reply

Your email address will not be published. Required fields are marked *