Dredd (2012)

  • Time: 95 min
  • Genre: Action | Crime | Sci-Fi
  • Director: Pete Travis
  • Cast: Karl Urban, Olivia Thirlby, Lena Headey


In a dystopian future Earth, the area between New York and Boston has become a crime-ridden urban mass of 800 million people known as Mega City. Keeping the peace are combination policemen-judges who make the arrests, determine guilt and then execute the sentence. Judge Dredd is among the best at what he does and he is assigned a rookie, Cassandra Anderson, who did not meet the minimum requirements for the job but who has one talent most do not: she is a mutant with psychic abilities. They soon find themselves inside Peach Trees, a 200 story building that houses among many others Ma-Ma a gangster who produces the drug of choice in Mega City, slo-mo. Ma-Ma shuts the building down determined that Dredd and Anderson will never again see the light of day.

One review

  • “Negotiation’s over. Sentence is death.”

    The body armour and helmet were last worn by Sylvester Stallone. 17 years later, Karl Urban dons the full body suit and emerges as a far more advanced (super)hero with the same name – Dredd. Like Robocop, his cinematic brother, he is an ordinary guy with high-tech weaponry, maiming or killing criminals in the name of law. But unlike Mr Robo, Dredd is the law. He is Judge Dredd, and as its movie poster warns, judgment is coming!

    Dredd is not as cheesy as it sounds. This sci-fi actioner, helmed by director Pete Travis (Vantage Point, 2008) is a relatively solid film that is viscerally entertaining and succeeds in giving the kind of bombastic feel that most PG-rated blockbusters lack. This is a very violent film with imagery that can be disturbing. Still, it is done in a stylized way, but that doesn’t mean its visual impact is diluted.

    Remember The Raid: Redemption (2012), the pulsating action film that saw an entire SWAT team infiltrate a high-rise building housing a notorious crime lord? Dredd’s plot follows somewhat loosely, with Dredd and his rookie, Anderson (Olivia Thirlby), a pretty blonde who has psychic powers, attempting to take down a drug lord named Ma-Ma (Lena Headey), who tortures her prisoners in the most cruel of ways.

    While we don’t see the actual face of Urban, his character is somewhat well-written by Alex Garland (28 Days Later, 2002; Sunshine, 2007). The focus is not on his origin story, but his idealist philosophy towards law and justice. He is morally incorruptible, but does that mean he is incapable of human fallibility? Beneath the seemingly robotic wardrobe lies someone with the capacity to not only defend and uphold the law, but to think and make split-second decisions rationally, even if the decisions are debatable.

    Travis’ film is well-paced, running at a compact 95 minutes, with its visual style and soundscape the most impressive aspects. The use of ultra slow-motion is not excessive, but motivated by plot elements. Its sound design, heavily electronic, includes the thumping, rhythm-dominating score by Paul Leonard-Morgan, giving a mixed sense of otherworldliness and dystopic industrialism. As a sci-fi action film, Dredd is not just mere imitation, but something that can be potentially fascinating and exciting. I would like to see a sequel.

    Verdict: Superb visuals and incredible sound design help make this predictable sci-fi action flick a promising starting point for a potentially exciting franchise.

    GRADE: B

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